Nazis and Japanese

[wulf]

PlasmaDance3-a_flag_InP_cr_capt.jpg


Original Nadia White for Insex.

Well they're certainly keeping her on her toes, aren't they.

Nice one, and thanks, 02.

[frog]

I'm guessing that the characteristics of the victim image you choose makes all the difference in how well the whole thing turns out. I think you have a good eye for that, and that's why you really nail it more times than not. That pick of the day was certainly one of those. One thing I like about it is how she has prominence over the other elements in the scene. They are important overall, but how she fits and dominates the image is the biggy. Just .02 from a viewers pov.

I'm sorry I overlooked this comment, because it deserves a reply. You are absolutely right. A large part of the composition depends on the characteristics of the victim's image (her posture, her expression, etc.). This is one of the elements that fires my twisted imagination. Also, the composite sinks or swims according to my ability, or lack of it, to incorporate it into a larger scene. As to the GIMP dominating the scene, that is one of my cardinal rules: the GIMP should be the central focus, the rest is just accessory. After all, she is the object of desire, twisted or not, isn't she?

[frog]

Misadventures in the Far East

[yyy02]

...that is one of my cardinal rules: the GIMP should be the central focus, the rest is just accessory. After all, she is the object of desire, twisted or not, isn't she?

Absolutely. I not only agree but follow this rule as well when doing my own work. If it distracts the eye away from the GIMP and her punishment, it's got to go.

[wulf]

I'm guessing that the characteristics of the victim image you choose makes all the difference in how well the whole thing turns out. I think you have a good eye for that, and that's why you really nail it more times than not. That pick of the day was certainly one of those. One thing I like about it is how she has prominence over the other elements in the scene. They are important overall, but how she fits and dominates the image is the biggy. Just .02 from a viewers pov.

I'm sorry I overlooked this comment, because it deserves a reply. You are absolutely right. A large part of the composition depends on the characteristics of the victim's image (her posture, her expression, etc.). This is one of the elements that fires my twisted imagination. Also, the composite sinks or swims according to my ability, or lack of it, to incorporate it into a larger scene. As to the GIMP dominating the scene, that is one of my cardinal rules: the GIMP should be the central focus, the rest is just accessory. After all, she is the object of desire, twisted or not, isn't she?

I understand the process because I dabbled in a similar endeavor with paper and pencil (pre internet days of old). Sometimes it worked and other times not, and the image chosen to trace made all the difference.
As I said you have a good eye for what works, and your composite manips are about the best there is imo.

Example; http://ralphus.net/thegimpforum/downloa ... &mode=view

[frog]

Bobbi Jean from Hog Tied.

I owe the GIMP to Navyrotor.

[frog]

And a few from a great classic:

[yyy02]

BOBBIJAPFLOG100.jpgNAVYRTRJAPFLOG100.jpg

Some great aoh, frog!

And that Joy of Torture stuff isn't bad either.

[midlander]

Actually more Soviet Union than Nazi/Japanese but I do like these 3 by the long forgotten Haffnium72

I love the theme behind this - a powerful woman who falls foul of the regime and has the tables turned on her (I love the way she's sweating in the first 2 images as they start to strip her and she realises what's in store for her).
And the 3rd image is great - stripped to her bra and panties and paraded before the people - shame the series didn't continue so we could see her ordeal in full

[cluseb]

At two centimeters an hour, it will take all day to Kill you.